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Parenting
Monday, April 9, 2012

Stag's Leap: Poems Hardcover

Author: Sharon Olds | Language: English | ISBN: 0307959902 | Format: PDF, EPUB

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About the Author

Sharon Olds was born in San Francisco and educated at Stanford University and Columbia University. Her first book, Satan Says (1980), received the inaugural San Francisco Poetry Center Award. Her second, The Dead and the Living, was both the Lamont Poetry Selection for 1983 and winner of the National Book Critics Circle Award. The Father was short-listed for the T. S. Eliot Prize in England, and TheUnswept Room was a finalist for the National Book Award and the National Book Critics Circle Award. Olds teaches in the Graduate Creative Writing Program at New York University and helped to found the NYU workshop program for residents of Goldwater Hospital on Roosevelt Island, and for veterans of Iraq and Afghanistan. She lives in New Hampshire and in New York City.

Excerpt. © Reprinted by permission. All rights reserved.

The Last Hour

Suddenly, the last hour
before he took me to the airport, he stood up,
bumping the table, and took a step
toward me, and like a figure in an early
science fiction movie he leaned
forward and down, and opened an arm,
knocking my breast, and he tried to take some
hold of me, I stood and we stumbled,
and then we stood, around our core, his
hoarse cry of awe, at the center,
 at the end, of our life. Quickly, then,
the worst was over, I could comfort him,
holding his heart in place from the back
and smoothing it from the front, his own
life continuing, and what had
bound him, around his heart—and bound him
to me—now lying on and around us,
 sea-water, rust, light, shards,
the little eternal curls of eros
beaten out straight.


Stag’s Leap

Then the drawing on the label of our favorite red wine
looks like my husband, casting himself off a
cliff in his fervor to get free of me.
His fur is rough and cozy, his face
placid, tranced, ruminant,
the bough of each furculum reaches back
to his haunches, each tine of it grows straight up
and branches, like a model of his brain, archaic,
unwieldy. He bears its bony tray
level as he soars from the precipice edge,
dreamy. When anyone escapes, my heart
leaps up. Even when it’s I who am escaped from,
I am half on the side of the leaver. It’s so quiet,
and empty, when he’s left. I feel like a landscape,
a ground without a figure. Sauve
qui peut—let those who can save themselves
save themselves. Once I saw a drypoint of someone
tiny being crucified
on a fallow deer’s antlers. I feel like his victim,
and he seems my victim, I worry that the outstretched
legs on the hart are bent the wrong way as he
throws himself off. Oh my mate. I was vain of his
faithfulness, as if it was
a compliment, rather than a state
of partial sleep. And when I wrote about him, did he
feel he had to walk around
carrying my books on his head like a stack of
posture volumes, or the rack of horns
hung where a hunter washes the venison
down with the sauvignon? Oh leap,
leap! Careful of the rocks! Does the old
vow have to wish him happiness
in his new life, even sexual
joy? I fear so, at first, when I still
can’t tell us apart. Below his shaggy
belly, in the distance, lie the even dots
of a vineyard, its vines not blasted, its roots
clean, its bottles growing at the ends of their
blowpipes as dark, green, wavering groans.


My Son’s Father’s Smile

In my sleep, our son, as a child, said,
of his father, he smiled me—as if into
existence, into the family built around the
young lives which had come from the charged
bouquets, the dense oasis. That smile,
those years, well what can a body say, I have
been in the absolute present of a fragrant
ignorance. And to live in those rooms,
where one of his smiles might emerge, like something
almost from another place,
another time, another set
of creatures, was to feel blessed, and to be
held in mysteriousness, and a little
in mourning. The thinness of his lips gave it
a simplicity, like a child’s drawing
of a smile—a footbridge, turned over on its back, or seen
under itself, in water—and the archer’s
bow gave it a curved unerring
symmetry, a shot to the heart. I look back on that un-
clouded face yet built of cloud,
and that waning crescent moon, that look
of deep, almost sad, contentment, and know myself
lucky, that I had out the whole
night of a half-life in that archaic
hammock, in a sky whose darkness is fading, that
first dream, from which I am now waking.

Books with free ebook downloads available Download Stag's Leap: Poems Hardcover
  • Hardcover: 112 pages
  • Publisher: Knopf (September 4, 2012)
  • Language: English
  • ISBN-10: 0307959902
  • ISBN-13: 978-0307959904
  • Product Dimensions: 8.7 x 6.4 x 1 inches
  • Shipping Weight: 9.6 ounces (View shipping rates and policies)
I have been a fan of Sharon Olds since a copy of "Satan Says" leapt from a used bookstore shelf and into my college backpack, and lived there for the better part of a year. As I continued to explore her work through her numerous books, I fell in love with her poetry, how it balances the hard and soft of life. I loved how her sharp, perceptive mind was balanced and embellished by a sensual, love-drunk heart.

Her poems about her husband were some of the most tender and authentic writing about adult committed relationships that I'd ever experienced. Her poetry grew to be an enormous influence on me as both a writer and a woman, and I know that I am not alone in that. When news of Olds's divorce became public, I remember gasping out loud in shock. I had read and reread her poems so much, that I remembered their details of their thirty year long marriage almost as if it was my own. I felt guilty about how I immediately craved to read her poetry about the subject, to see how her mind was processing what seemed so impossible to me.

Fifteen years later, "Stag's Leap" tells the story of this harrowing time in Olds's life. From the first poem "While He Told Me" (which explores with heart-breaking detail the evening her husband told he wanted a divorce, while her eyes darted "from small thing / to small thing, in our room, the face / of the bedside clock, the sepia postcard / of a woman bending down to a lily") to the last poem "What Left" (where she stares back at the fifteen years of cleaving, and the years proceeding it, with marvelous strength and clarity), Olds creates a masterwork of love and loss.

Delicate, intimate and un-self-conscious, Olds explores the landscape of the new world she is stunned to find herself.
Contemporary American poetry arose a half century ago out of the confluence of a number of social and literary trends. The first was the rise of the confessional school of poets, associated especially with Robert Lowell, Anne Sexton, Sylvia Plath, and John Berryman: poets who attempted to make poems out of their lives, frankly using their most intimate real life experiences as subject matter. At the same time, poetry rather suddenly went from being something which ordinary people at least occasionally would read - many old enough will remember a time when the typical household had at least a few poetry books around, even if they were old chestnuts like the Oxford Book of English Verse, the Rubaiyat of Omar Khayyam, and The Complete Poems of Keats and Shelley - to something which virtually no one except poets, critics, and a few college students paid any attention to. Both as cause and effect of this disregard, poets quickly moved into the ivory tower, with the great majority of persons claiming the title poet actually making their living as academics. This migration of poets to the academy was simultaneous with the creative writing movement, in which professors believed any student could be taught to be a poet by being inculcated with the movement's trinity of principles - "Find Your Voice," "Show, Don't Tell," and "Write What You Know," and mastering a toolkit of specialized literary devices.

One of the most pernicious effects of these developments was the evolution of confessional poetry into poetry as therapy. Those original confessionalists were fine poets, but their successors adopted the same frankness without the same talent, learning, or discipline.

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