A Shepherd Looks at Psalm 23 Hardcover Author: Visit Amazon's W. Phillip Keller Page | Language: English | ISBN:
0310274427 | Format: PDF, EPUB
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From the Back Cover
The Lord is My Shepherd, I Shall Not Want. The truth and comfort of these familiar words spring to life in this excerpted gift edition of W. Phillip Keller's classic work, A Shepherd Looks at Psalm 23. Based on his years as a keeper of sheep, Keller infuses new hope and meaning into our relationship with Christ, the Good Shepherd. As we lie down in green pastures or walk through the shadowy valley, we're assured that whatever our path, whatever our stumbling, the Shepherd will lovingly guide, carry, and protect us. We can depend on His goodness and mercy all the days of our lives.
--This text refers to an out of print or unavailable edition of this title.
About the Author
W. Phillip Keller, born in East Africa, always loved wildlife and the outdoors. Having spent many years in agriculture research, land management, and ranch development in British Columbia, he later pursued careers in conservation, wildlife photography, and journalism. His experiences as a shepherd equipped him with the insights that are the basis for A Shepherd Looks at Psalm 23.
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- Hardcover: 128 pages
- Publisher: Zondervan (April 29, 2007)
- Language: English
- ISBN-10: 0310274427
- ISBN-13: 978-0310274421
- Product Dimensions: 8.2 x 6.1 x 0.6 inches
- Shipping Weight: 4.8 ounces (View shipping rates and policies)
A Shepherd Looks at Psalm 23I have never much enjoyed art galleries. This may be a little-known fact, but I am color-blind, and I'm sure this explains why art has never had much appeal to me. After all, if I see reds, greens and browns all as shades of brown, surely art is far less appealing to me than to those whose eyes work as they were meant to. But I remember one time when I was a teenager, my family travelled to Washington, D.C. with my aunt and uncle, both of whom are artists. Walking with them through the National Gallery brought about an entirely different perspective. Because they understood art, they were able to explain it to me in a way I had never considered. They showed me variations in texture, spoke about the difficulty of different types of shadowing and lighting, and the different media artists use. It opened my eyes, and in that period of time I came to understand and appreciate art so much more deeply than I had before, despite my limitations.
I think also of a small museum that was situated on the grounds of an airport near my house. This museum housed some of the finest vintage aircraft in the world, including the world's only Lancaster bomber that was still in operational condition and that still flew. It often took to the skies and flew over my home. It was one thing for my friends and myself to go and look at all the planes, perhaps even imagining that we understood what it was like to stare out at a cold, dark sky, keeping a watchful eye for enemy planes. But it was another thing altogether to watch the veterans who had given their best years to the war, and who had spent countless hours inside these planse - so many hours that they still knew the planes inside and out, even fifty years later.
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